"Harry Powers' art is an especially compelling testimony to the richness Nature offers to the eye, touch, and imagination of a sensitive artist who can reveal to us new and unsuspected facets of it."

- R.G. Tansey, principle author of Gardner's Art through the Ages

"Aided by the light and the space of the surrounding gallery area, he plays off the lines against the two dimensional color planes and the architectural volumes and spaces of his structures in countless, and endlessly fascinating ways. From a distance, and from the proper vantage point, some of Powers' pieces seem to be drawings in pure color on a "ground" of pure air."

_- Thomas Albright, San Francisco Chronicle.

"Harry Powers, one of the most inventive sculptors to work in transparent and translucent plastics in the 1960s and early 1970s, in iconic compositions of beautiful lucidity and quiet strength is now working with the same mystical eloquence in concrete and his recent "Homage to Ancient Ancestors" - at once monumentally and delicately formed - shows how promising the new direction can be."

- Allan Temko, Art & Architecture Critic, San Francisco Chronicle

"Powers uses symbols from numerous cultures to reference the universal, timeless drive to represent and interpret the natural environment. He is interested in the confluence between ancient and modern interpretations of natural phenomena."

- Cathy Kimball, Director, San Jose Institute of Contemporary Art

"His development is one which is constantly moving, crossing boundaries, integrating at times with architecture, at other times bringing together what could be called a painter's vision in large sculptures."

- Bryan Macdonald, Head of Department of Fine Art, Darwin Institute of Technology, Darwin, Australia